The 1990s
Table of Contents
The Early Years
After four years as an enthusiastic and dedicated amateur at University, with its strong ties to the early Rave ..and also the local crusty folk-rock scene - in North Wales, Richard without declined the career he was offered as a project manager in the defence industry for the insecurity of being a freelancer in the entertainment industry. He found sleeping on cold stages being paid in bread and beer more interesting, although financially dubious.
This decision proved to be a good one, and the pay increased. Well, it couldn’t really decrease. His first year continued along the same lines, except scalled-up. Early shows were often large-scale all-night raves at legendary venues such as the Sanctuary in Milton Keynes. These shows were awash with the then new-fangled moving-lights with which Richard was deeply infatuated, seeing their serious and artisic uses beyond the flash’n’trash and unreliability most others did at that point. He established himself as an expert in the use of ground-breaking units such as the Golden Scan 3, VL-5/6, NAT, Cyberlight, and later the Mac-500 & 600. And also using the revolutionary new digital control systems that abstractred the controls from their phyiscial values, cheifly the WholeHog II, ScanCommander (predecessor to the GrandMA) and then later the Compulite Sabre and Vector.
Early Goals
Everyone should have goals when they start-out, apparently. So as the great adventure into the unknown started, he was put on the spot on his first day:
Q. What Is the Biggest Venue and Person You Will Have Lit in 10 Years Time?
A. Wembley and… Madonna!
<div class="flex-1 text-center">
<p>Ok, so it was actually the *Wembley Exhibtion & Conference Center*, not *Wembley Arena* (which has been lit by Richard a good few times) and adjacent to but definataly NOT the famous *Wembley Stadium* which is what he actually meant to say, but didn't. Still not done it. Precision is everything.... But still : *10,000 punters and goal achieved 9,5 years early.*.</p>
</div>
<div class="flex-1">
<img src="/images/VeryOldShows/Wembley/WembleyOld.png" alt="Right" class="w-full h-auto" title="The old Stadim" webp="false">
</div>
Madonna, on the other hand, took 11 years.
### OK, we're not setting goals any more!
Which is just as well, beacuse any further goals that might then have been set would probably have been way off, as direction of travel changed many times in those early years. But, long-term, many achivements that he would never have dreamed-of happened instead - taking him to places, situations, and meeting people from the very top to the very bottom. And a lot of people talking about football. A LOT of people.
Anyway, we’re getting ahead of ourselves.
Here are some of things that happened that can be talked about.
And aren’t, mostly, football.
At some point in this year, did The Prodigy for the third time. Although, due to an staffing problem, rather bizarrely Richard ended-up doing their FOH sound instead of the lights. P
WHat else happened in this early period after going “Pro”?
Quite a bit of time was spent touring round Europe, mostly Germany, and an amazing month in Vienna as the snow melted.
Through a very complicated story involving the early Internet, Richard ended-up working for High End Systems After about a year spent touring round Europe, inclusing a momorabl;e Several years were spent touring and working around the Europe and everywhere from the USA πΊπΈ to the Ukraine πΊπ¦ !
<There’s many moemnts from that show that have been lovingly recovered from old VHS recordings and put on YouTube. One histoiric moment though was one everyone involved in wish had stayed dumped in the bin of history and forgotten about though : Britney Spear’s UK TV Debut. [^2] -
- On the 5th stage that was impossible to make look good, got scrapped at end of 1st series thankfully.
- The 10th number of the day, nobody had heard of her only there because record company insisted.
- Totally technically unrehearsed by anyone. then promptly went to No.1 and they had to keep repeating the recording…
- Its awful…
At this time, promotional music performances were everywhere on broadcast TV. It was quite possible to do the same act 4 times on 4 different networks in the same week. Yes, I’m looking at you Texas.1
- Still on the musical performances, but sightly more classy, he also programmed & operated the lights in the gone-too-soon Earls Court 1 for the also-now-gone Luciano Pavarotti’s 1998 performance (LD Mike Sutcliffe (Sottyy), for the BBC). Quite an experience. He took his skills with moving-lights and discovered an intense fascination with what could be achieved on screen - and as the new Millenium approached, this became his primary focus, but before that, another unexpected opportuntiy arose!
6 months in Pinewood Studios…
Joseph and his Amazing Technicolor Dreamcoat
Lead Programmer on this production that sprawlled across 3 stages at Pinewood, including the famous 007 Stage.
At one point, had pretty much every moving light that was available in London at that time (apart from Vari*Lites), across 3 stages.
For example, there were 80x Mac-600’s just to light the Sphynx’s head (40x each side).
Oh, and about 16x Gladiator follow-spots…for backlights…
Timecoded cues stacked on top of each other ended-up firing so fast that the poor screen on the Wholehog II couldn’t keep up and was just a blur.
Yes it looks crude in places by modern standards, but more than a quarter of a century of lighting technology improvements have passed!
David Mallet directing, DoP Nic Knowland.
Jesus Christ Superstar
After the delightfully over the top campness of Joseph, another Lloyd-Webber musical, except this one is Seriously Arty…
Gallery
Nothing to show in [/ images/VeryOldShows ] or folder does not exist-
[One in a Lunchtime] ↩︎